Good Design Awards prove the power of creativity in every sphere - Jonathan Cartu Industrial & Residential Real Estate Firm
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Good Design Awards prove the power of creativity in every sphere

Good Design Awards prove the power of creativity in every sphere

In the end, the Best in Class product award went to the aptly named Sway lamp by Melbourne designer Nick Rennie. Composed of a slender carbon rod topped with an LED orb, the round, weighted base allows the lamp to be knocked about and simply bounce back into place. Cordless, chargeable and highly durable, it’s suitable for indoors and out.

“Good design needs to be better than adequate,” says Victorian government architect Jill Garner, who sat on the architecture jury. “Legislation is in place to bring poor design up to adequate, but sometimes it can also be used to bring excellence down to adequate.”

The role of programs like the Good Design Awards is to celebrate and elevate excellence, creating industry benchmarks across the public and public sectors.

Sydney’s Green Square Plaza and Library, designed by Stewart Hollenstein, is a Gold winner. Supplied

Garner reckons a building nowadays needs to “go beyond its brief”.

“A good building needs to be a good neighbour. It needs to add something to the street by looking slightly beyond the dotted line of the site boundary,” she says.

“We often look at architecture as an object and judge it on whether it’s beautiful or well crafted or fit for purpose. They’re all really important issues but over the top of all that is the question of what it is doing to the place where it is located and the people who will use it.”

The Tramsheds in Sydney anchor the winning development, Harold Park. Edwina Pickles

This year’s award for Best Commercial and Residential Design went to property giant Mirvac for its Harold Park development in Glebe, Sydney. Anchored by the heritage Tramsheds building, which has been converted into a food and entertainment hub, the development comprises seven residential buildings and almost four hectares of new public parkland.

Good Design Australia, the governing body of the awards, has its roots in the Industrial Design Council of Australia, established in 1958 by a group of design and industry professionals and funded by the Commonwealth government. Its creation helped the Australian design industry flourish in the 1960s. The ’70s was the halcyon decade; but as local industry fell into decline the Good Design Awards program was eventually folded into the bureaucracy of Standards Australia.

Gien, who studied industrial design at the University of Newcastle, joined Standards Australia straight after graduation in 1997 with the firm belief that design should be standout rather than standard.

“Good design,” says Gien, “can transform products, services, experiences, and society as a whole.”

It was under his watch that the revolutionary Cochlear hearing implant system won the Good Design of the Year Award in 2000 and went on to become a global success story.

The 2012 award went to the Deepsea Challenger, a 7.3-metre submersible designed to reach the bottom of Challenger Deep, the deepest-known point in the seabed. It was designed by four Australian companies –
Acheron Project, Design + Industry, McConaghy Boats and Finite Elements – in partnership with film director James Cameron.

Good design can transform products, services, experiences, and society as a whole.

Brandon Gien

Design + Industry has again taken out the top prize, for a piece of medical equipment designed for Queensland bioscience company Inventia Life Science. The Rastrum 3D Bioprinter builds hydrogel scaffolds that mimic the cell matrix of cancer patients, allowing researchers to conduct extensive non-invasive experiments and screen thousands of treatment drugs, effectively turbo-charging their research into treatment.

Says Gien: “What’s incredible about this machine is that in addition to the fact that the technology is a game-changer in the way cancer will be treated, it’s also a beautiful piece of industrial design that doesn’t actually look like medical equipment.”

“We’ve printed plastics and metals before, but to 3D-print human cell structures is pretty amazing stuff,” says Murray Hunter, who founded Design + Industry more than 30 years ago.

He says a third of the team specialises in the concept and two-thirds specialise in the development. “So the concept team pushes up against the engineering team to optimise the aesthetics of a product. The engineering team then go on with that aesthetic in place to make it work. That means we get the highest level of outcome for our clients.”

And that’s what is called good design.

Inaugural Women in Design Award
Sharon Gauci, executive director of industrial design at General Motors
Good Design Award for Sustainability
RangerBot, designed by the Queensland University of Technology, to monitor the Great Barrier Reef and reefs around the world
Entries and winners
Go to Good Design Australia for the full list


Real Estate Development Jonathan Cartu

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